Literature / Oral Tradition - The Most Influential in History
July 12th, 2008 by worldhistorydvdThis category encompasses works of literary merit where the craft of writing is examplary. Written works that lack literary merit or belong more appropriately in another category are not included here. The term “oral tradition” is included in the title because many of the great works of literature began as stories told and retold over generations; eventually someone took the trouble to write down such works as the Christian Bible, the Koran, the Classics of Confucius (though named after Confucius much of this is not attributed to Confucius), the Tiptika (the three baskets of Buddhism), the Thousand and One Nights, and the countless African animal stories. Unfortunately the authors of so many influential works of literature are unknown.
There are many categories or types of literature. The following categories capture the works chosen for the most influential people in literature.
1. Religious Epic - Christian Bible, Koran, Tiptika, the Vedas, the Upanishads, the Mahabharata.
2. Poetry - Homer’s The Odyssey, William Shakespeare’s sonnets, Virgil’s Aeneid, Dante Alighieri’s Divine Comedy, Ovid’s Metamorphoses, Geoffrey Chaucer’s Canterbury Tales, Matsuo Basho’s The Narrow Road to the Deep North, John Milton’s Paradise Lost.
3. Philosophical Treatise - Confucius’ Analects.
4. Novel - Murasaki’s The Tale of Genji, Cao Chan’s Dream of the Red Chamber, Cervantes’ Don Quixote, Charles Dickens’ Oliver Twist.
5. Play - William Shakespeare’s Hamlet, Moliere’s Tartuffe, Kalidasa’s Sakuntala, Aristophanes’ The Clouds.
5. Historical writing - Thucydides’ History of the Peloponnesian War, Herodotus’ History of the Persian Wars, Livy’s History of Rome.
6. Fable - Aesop’s Tortoise and the Hare.
7. Literary criticism - Aristotle’s Poetics.
8. Translation - Martin Luther’s Christian Bible into high German. King James’ Christian Bible into English.
9. Essay - Michel Montaigne’s Essays, Mary Wollstonecraft’s Vindication of the Rights of Women.
10. Biography / Autobiography - Plutarch’s Lives, Johann Goethe’s Poetry and Truth from My Life.
11. Reference - Andrew Bell and Colin Macfarquhar’s Encyclopaedia Britannica.
12. Children - Theodore Geisel’s (Dr. Seuss) The Cat in the Hat.
13. Short story - Edgar Allen Poe’s The Tell Tale Heart.
First, a short list of great literary works that belong at the top of any influential literature list but the writers are unknown.
1. Christian Bible - A collection of books held sacred by Jews and Christians. The Bible is divided into two parts: The Old Testament (originally in Hebrew except for certain Aramaic passages in the books of Ezra and Daniel) and the New Testament (originally in Greek). The Bible is almost the whole religious literature of a people as it developed for more than 1,200 years (c. 1,000 B.C.E. - 100 C.E.). The first five books of the Old Testament represents the highest point ever attained by Hebrew prose.
2. Koran - Islam’s holy book which according to the Islamic faith, was revealed to Mohammad by God over a period of twenty years in the early 600s. In Arabic. The core material is indebted to the Old Testament and the traditions of the Hebrew Talmud (an interpretive commentary on the Old Testament), with some use of Christian and Zoroastrian legends.
3. Tiptika (Three Baskets) of Buddhism - King Asoka of India was the first to have the Buddha’s teachings written down about 250 B.C.E in Pali, a dialect of northern India.
4. Vedas of Hinduism - the earliest scriptures of Hinduism with a probable date of between 1,300 and 1,000 B.C.E. In Sanskrit.
5. The Upanishads of Hinduism - A series of mystical and philosophic prose works constituting the chief theological documents of ancient Hinduism. In Sanskrit. They cannot be exactly dated, but probably the earliest do not come before 600 B.C.E. The Upanishads are designed to guide the hermit on the path to union with Brahma, the supreme creating God, the Universal Soul or Universal Self, which existed before all else and is the source of all life. By devotion to the Self or God within us which is our real being, by meditation, by renunciation of all worldly desire, one may ultimately achieve union and identificaiton with Brahma. Thus partaking of the eternal and infinite, one may avoid the misery of repeated rebirths.
6. The Classic of Poetry (Book of Songs) - In contrast to other ancient literary cultures, which begin with epics, prose legends, or hymns to the gods, the Chinese tradition begins with lyric poetry. The Classic of Poetry is a collection of 305 songs representing the heritage of the Chou people. The earliest in the collection are believed to date from around 1,000 B.C.E. and the latest from around 600 B.C.E., at which time it seems to have reached something like its present form.
The Classic of Poetry drew from a wide variety of sources. There are temple hymns to the ancnstors of theChou ruling house, narrative ballads on the foundation and history of the dynasty, royal laments, songs of soldiers glorfying ware and deploring war, love songs, marriage songs, hunting songs, songs of women whose husbands had deserted them, banquet songs, peoms of mourningg, and others. As with Homer’s epics in early Greece, knowlege of the Classic of Poetry was consdiered an essential part of cultural education in early China.
By the fourth century B.C.E. it had become one of the texts in the canon of Confucisn classics. As a Confucian classic, the Classic of Poetry reamined an essential part of chinese education up to the twentieth century.
6. Nibelungenlied - A Middle High German narrative poem (c. 1200), one of the most popular and celebrated monuments of German literature. The unknown author drew his materials from the mythology of prehistoric Scandinavia and the semihistorical legends of the tribal migrations of the Germanic peoples, centering around the defeat of the Burgundians by the Huns in C.E. 437.
7. The Thousand and One Nights - Also called The Arabian Nights. A collection of tales in Arabic, built up during the Middle Ages. The first European translation was in French by Antoine Galland, 1704-17. Since then Ali Baba, open sesame, Aladdin and his magic lamp, Sinbad the Sailor, and the Magic Horse have become familiar references. The tales convey the spirit of the Arab and Islamic life. The astounding narratives cover an amazingly wide range of fact and faction. Camel trains, desert riders, the insistent calles to prayers–the solid ground of reality–form the tissue of the scenes.
8. African animal stories
9. Popol Vuh - The Quiche Maya of the west central Guatemalan highlands produced (c. 1555) the most impressive work of literature written to date by a native American. Often called the “American Bible,” it is a Mayan description of the creation and evolution of the world. It is the single most important native source for interpreting the history and culture of pre-Columbian America. A compendium of stories cherished by the ancient, the colonial, and even the modern Maya, the Popol Vuh has been compared with the Odyssey of the Greeks and the Mahabharata of India. Such omnibus compositions, repeatedly mined by the artist and the moralist, serve as cultural touchstones; they dramatize the life of a nation and help bind it together. In the case of the Popol Vuh, as with similar works, the stories have been woven together to form an epic, with threads of continuity that may be called novelistic.
Keeping in mind the list above . . .
1. Johannes Gutenberg (1390-1468) - He started a printing revolution in Europe with movable type (1440) and the printing press. Without an audience no book will be influential. Gutenberg’s invention spread the written word across Europe. Gutenberg’s first printing was the Bible in German, called the Gutenberg Bible.
2. William Shakespeare (1564-1616) - He is generally regarded as the greatest writer who ever lived. He wrote in Middle English. More than any author, Shakespeare has been translated into other languages and his works have been read and performed in many countries to this day. Generations of playwrights have studied his works and have attempted to emulate his literary virtues. One of his greatest plays, Hamlet has been quoted and analysed more than any other.
3. Homer (9th-8th? B.C.E.) - Homer wrote the Iliad and the Odyssey in Greek, two epic poems that influenced a wide range of writers over the course of 2,800 years. The Iliad tells of the climax of the Trojan War between the Greeks and the Trojans. The Odyssey relates the travels of Odysseus during his years of wandering after the sack of Troy, and of his eventual return home to Ithaca and his slaying of the rapacious suitors of his faithful wife Penelope.
All the classical Greek poets and playwrights were deeply influenced by Homer including Sophocles, Euripides, and Aristotle. The Roman authors regarded Homer’s poems as the standard of excellence. Virgil, probably the greatest Roman poet, modelled his masterpiece, the Aeneid, after the Iliad and the Odyssey. No author in history has had such a widespread and long-continued influence.
4. Krsna Dvaipayana Vyasa (c. 550 B.C.E.) - Vyasa means “compiler” or “arranger” indicating that he was probably no more than an esteemed editor of the Mahabharata, one of the great sacred texts of Hinduism. Originally in Sanskrit, in its present form probably achieved between C.E. 350-500. The vast poem of 100,000 verses is arranged in 18 books, which appears to have grown to its present epic size over a period of 700 years. Like Valmiki, Vyasa appears as an important character in his own poem. Unlike the Ramayana, however, Vyasa’s sprawling epic, which is eight times as long as the Iliad and Odyssey combined, has no pretensions to an aesthetically unified structure. Both the chief episodes and the subsidiary narratives have been a fertile source of themes for generations of poets and artists. The most famous section of the poem is a long dialogue between Arjuna, the hero of the epic, and his charioteer Krishna, an avatar (incarnation or form) of Vishnu (one of the primary gods of Hinduism). This section is often reprinted separately as the Bhagavad Gita (”Song of the Blessed Lord”) and is the great devotional classic of Hinduism. 5. Virgil; Latin name - Publius Vergilius Maro (70-19 B.C.E.) - He was the greatest Roman poet. His masterpiece is the Aeneid in Latin. He also composed Georgics and the Ecolgues. His works quickly established themselves as classics of Latin poetry and exerted great influence on later classical and post-classical literature. The Aeneid relates the wanderdings of the Trojan hero Aeneas after the fall of Troy, his love affair with the Carthaginian queen Dido, his visit to his dead father Anchises in the underworld, his arrival in Italy, and his eventual victory over the hostile Italian peoples led by Turnus.6. Dante Alighieri (1265-1321) - He wrote the Divine Comedy, one of the greatest epic poems in history. His masterpiece tells of his spiritual journey, in the form of an imagined visit to Hell and Purgatory with Virgil as guide and finally to Paradise with Beatrice, now a blessed spirit, as guide.
He is considered the founding figure of Italian literature. His innovative use of Italian did much to establish a vernacular literature; his Latin treatise De Vulgari Eloquentia (c. 1303) promoted vernacular Italian as a literary language fit to replace Latin.
7. Valmiki - (c. 550 B.C.E.) The Sanskrit epic poem Ramayana (the Way of Rama) by Valmiki is the oldest literary version of the tale of the exile and adventures of Prince Rama, a story that was known from Indian folk traditions as early as the seventh century B.C.E. All we know about Valmiki is gleaned from legends about the circumstances that led him to compose the Ramayana, a work of 24,000 verses, divided into seven “books,” called kanda. It is probable that, like Homer, he gathered and shaped the scattered material of many oral traidtions into the poetic whole that we read today. Valmiki’s Ramayana became the source for a multitutde of versions composed in all the major Indian languages over several centuries. The story has also been preserved in oral traditions by storytellers and continues to be enacted in countless regional folk theaters in India. It would be no exaggeration to say that the Rama story is the great story of Indian civilization, the one narrative that all Indians have known and loved through the ages and whose popularity remains undiminished to this day.
Valmiki’s Ramayana and its later adaptations have been enjoyed by Indian audiences in forms as vastly different as religious plays, bedtime stories, and, most recently, “classic” comics and a television serial. Every year, all over India, millions of readers, listeners, and viewers weep at Rama’s exile and the death of Dasaratha, cheer as the monkey Hanuman leaps the sea to Lanka, share in Sita’s anguish as she climbs the pyre for her trial by fire, and rejoice at the death of Ravana.
8. Tu Fu (712-770) - He is the greatest Chinese poet along with Li Po. Tu combined keen observation of political and social forces with strong moral stature and consummate master of all verse forms. In 744 Tu Fu met Li Po, forming the basis for one of the world’s most famed literary friendships; the two poets devote a number of poems to each other.
The inherent succinctness of Chinese pictograms influenced the characteristic compactness of Chinese poetry, which has been likened to the telegram. Chinese poets always stressed the lyrical heights of joy or depths of sorrow. In contrast to most other national literature, no lengthy epics or long narrative poems exist. Verse has been for many Chinese writers the medium for recording not only life’s moments of intense feeling and conviction, but the countless minor events and scenes of everyday existence as well. They have used it as writers of other cultures have used the diary, the autobiography, or the sketchbook.
Broken Lines
River so blue the birds seem to whiten.
On the green mountainside flowers almost flame.
Spring is dying yet again.
Will I ever go home?
9. Li Po (701-762) - The greatest Chinese poet along with Tu Fu. He was a romantic in his view of life and in his verse. Li frequently celebrated the joy of drinking. He also wrote of friendship, solitude, the passage of time, and the joys of nature. Li Po is probably the best-known Chinese poet in the West. Li Po attracted the best translators and has influenced several generations of American poets, from Ezra Pound to James Wright. Translations of Li Po helped to establish a conversational, intimate tone in modern American poetry. Ezra Pound’s Cathay put him at the center of the revolution in modern verse.
Watching the Waterfall at Lu Mountain
Sunlight steams off purple mist from Incense Peak.
Far off, the waterfall is a long hanging river
flying straight down three thousand feet
like the milky river of stars pouring from heaven.
10. Ovid; Latin name Publius Ovidus Naso (43 B.C.E. - 17 C.E.) - He is tradtionally ranked alongside Virgil and Horace as one of the three canonical poets of Latin literature. His poetry, much imitated during late Antiquity and the Middle Ages, had a decisive influence on European art and literature for centuries. Ovid’s most famous work is the Metamorphoses, an epic poem drawing on Greek mythology. From the emergence of the cosmos from formless mass into the organized material world to the deification of Julius Caesar many chapters later, the poem weaves tales of transformation. Ovid has inspired many of the greatest authors and artists in history including Shakespeare, Petrarch, Botticelli, Chaucer, Milton, Bernini, Rubens, Pushkin, and Joyce.
11. Geoffrey Chaucer (c. 1342-1400) - Chaucer was the first important secular writer in England, the first influential writer in the English language, and the first English writer to broaden the subject matter of literature beyond the court and the cloister. He was germinal not only to the development of the English language but to the development of our view of the subjects that literature can treat and to our view of authorship. Chaucer was the first English person to emerge as an “author.” His greatest work is The Canterbury Tales, a series of poems in Middle English.
He was the first to use many of the meters and stanza forms which have become standard in English poetry. He was the first English poet to deal extensively with the contemporary scene, to draw sharply individualized portraits, to analyze his characters psychologically, and to impress his readers as a personality in his own right.























